Sunday, 1 February 2026

Laughter rises above the city as Kavin Jay brings crowd-work comedy

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Acts of the night, from left to right: Aiman Hab, Kavin Jay (main act) and Adrian Saw.

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KUCHING: Laughter travelled faster than the lift to the rooftop on Saturday night (Jan 31) as a full house gathered at Cloud9 Sky Lounge, Roxy Impiana Hotel, for a rare kind of live entertainment in the city, a stand-up comedy showcase headlined by Malaysian Netflix star, Kavin Jay.

Set against Kuching’s night skyline, the show unfolded less like a scripted performance and more like a shared conversation, with audience participation driving the rhythm of the evening from start to finish.

The night was organised by Front Row under its newly launched Front Row Comedy Central branding, an initiative aimed at positioning comedy as a growing and sustainable entertainment genre in Sarawak.

Executive Director of Front Row, Zaid Zaini, said bringing Kavin Jay to Kuching was part of a longer-term strategy to establish a consistent platform for comedy lovers in the state rather than a one-off event.

Executive Director of Front Row, Zaid Zaini, speaks to reporters of Sarawak Tribune.

Zaid said comedy has been gaining momentum globally, fuelled by digital platforms and stand-up specials online, and Sarawak was ready to be part of that movement.

“What we wanted to do was take a front foot and drive comedy to areas closer to home,” he said, adding that previous shows had already revealed a growing local appreciation for stand-up comedy.

The evening opened with Brunei-based comedian Aiman Hab, whose self-deprecating set drew laughter through relatable vulnerability, particularly when he joked about being trusted to protect his housemates despite having only earned a yellow belt in karate as a child.

The honesty of the joke dismantled expectations and set a relaxed tone for the rest of the night.

Australian magician Adrian Saw followed with a performance that blended sleight of hand and playful audience engagement, memorably inviting an audience member, Pauline from the Netherlands, onto the stage by casually asking her to raise her hand before declaring her a volunteer.

His missing-egg trick, deliberately simple, tapped into childhood nostalgia and encouraged constant participation, with the audience responding instantly and enthusiastically to every cue.

By the time Kavin Jay took the stage, the crowd was fully warmed up and primed for interaction, allowing his trademark crowd work to turn the show into an ongoing exchange rather than a conventional stand-up set.

Kavin’s jokes moved fluidly across local and international references, drawing on Malaysia, Australia and the Netherlands while adapting in real time to the identities and responses of those in the room.

Audience participation reached near-total levels, with one extended full-circle joke involving a pescatarian named John, a biology teacher who had lived in Malaysia for 20 years, resurfacing repeatedly to escalating laughter.

Another standout moment came through Kavin’s story about falling, delivered with careful pacing and physical humour that showcased his experience as a seasoned live performer.

Zaid described the strong turnout and response as proof that Kuching’s entertainment audience has matured and is increasingly open to diverse live performance formats.

“It was a very good mix, expats and locals, people who really understand comedy,” he said, adding that the market was clearly ready for more.

Looking ahead, Zaid said Front Row is working towards the long-term vision of a Kuching International Comedy Festival, inspired by the success of events such as the Rainforest World Music Festival.

He added that the initiative has received encouragement from the Ministry of Tourism, Creative Industry and Performing Arts (MTCP), whose support is crucial in assuring international performers that Sarawak is ready and receptive to large-scale comedy events.

Zaid said the plan also carries a strong tourism element, with hopes of drawing audiences from Brunei, Kalimantan and other regional markets.

Equally important, he said, is the goal of nurturing local and regional comedy talent through exposure, workshops and potential overseas opportunities, positioning comedy alongside music as a viable creative pathway.

For now, the show stood as proof that when given space and trust, comedy can thrive in Kuching, with laughter overlooking the city hinting at a new chapter in Sarawak’s live entertainment scene.

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